Top of the Matterhorn

Sliding Down a 12,280 ft Mountain - The Sound Traveler

Published on Nov 13, 2016 The Sound Traveler

MERU - Official Trailer

Published on Jul 21, 2015 Music Box Films

The Himalayas from 20,000 ft.

The Himalayas from 20,000 ft. from Teton Gravity Research on Vimeo.

The aerial cinema experts at Teton Gravity Research release the first ultra HD footage of the Himalayas shot from above 20,000 ft. with the GSS C520 system, the most advanced gyro-stabilized camera system in the world. Filmed from a helicopter with a crew flying from Kathmandu at 4,600 ft. up to 24,000 ft. on supplemental oxygen, these are some of the most stable, crisp, clear aerial shots of these mountains ever released, which include Mt. Everest, Ama Dablam, and Lhotse.

Sound design and mix by Jeff Cormack at Play+Record

Northern Chile

Ancients from Nicholas Buer on Vimeo.

This film follows the ancient cycle of sunset, to night, to sunrise. A continuous loop of perpetual movement that has been unbroken since the dawn of time, and the only true constant in our lives.

I shot this film over 12 days around the San Pedro de Atacama region of Northern Chile. San Pedro is an oasis town in the Atacama and sits at an altitude of 2600m. The town is a great base to explore the fascinating landscapes that surround it, and everything just goes up and up.

The Atacama is well-known for what are arguably the cleanest, darkest skies on Earth. The dry air adds an extra transparency and this coupled with the altitude creates a night sky like no other. I visited at a time when Venus was situated quite close to the centre of the Milky Way; an astronomical event that only takes place every 8 years or so. I also timed my visit with the Autumn equinox which is a good time of year to capture Zodiacal light; the celestial phenomenon caused by sunlight scattering interplanetary space dust in the Zodiacal cloud. It stretches across the ecliptic and glows for a short while after sunset like a UFO beam and I was lucky enough to witness this every night I stepped out into the dark.

In my opinion an adventure is not complete unless there are challenges, and this trip was no different. My luggage was lost for the first 6 days I was there so for half of my trip I had no tripods and no motion control equipment. I shot many time-lapses in this film with my cameras on buckets weighted down with rocks! it was far from ideal but I was determined not to miss an opportunity to capture this wonderful sky. I battled through with little food and less sleep, language barriers and I even broke down in the middle of nowhere at one point, but at least the sunset was nice that evening! I found the Atacama to be a very harsh landscape; the dry air makes your skin crack and split, the winds pummel you with every gust and the altitude slows you down and affects your ability to hike with heavy equipment. By the end of this trip me, my kit and my car had taken a real battering but it was all worth it, I wouldn't have had it any other way.

Music composed by Shudan, please support this amazing artist by clicking here:
facebook.com/shudanmusic

All footage is available in resolutions up to 4k. If you would like to licence any of my clips or talk about a project you have in mind please contact me at:
contact@nicholasbuer.com

You can connect/follow me on all the usual social media sites:
facebook.com/nicholasbuerphotography
twitter.com/nicholasbuer
gplus.to/nicholasbuer
flickr.com/nicholasbuer
instagram.com/nicholasbuer

To see more work please visit www.nicholasbuer.com

For motion control I used the Stage One Dolly System by Dynamic Perception:
www.dynamicperception.com

© Nicholas Buer 2014

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